Found insideVolume 2 of A Comparative History of Literatures in the Iberian Peninsula brings to an end this collective work that aims at surveying the network of interliterary relations in the Iberian Peninsula. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. Found insideFor violin and guitar. As recorded by Itzakh Perlman and John Williams. This work examines these sources and sets out to answer four major questions: What did people in medieval Western Europe know, think, and believe about the Hungarians and Hungary? . . Praise for Mary Jo Putney “Putney’s endearing characters and warm-hearted stories never fail to inspire and delight.” —Sabrina Jeffries “A complex maze of a story twisted with passion, violence, and redemption. This is explored through concepts of the religious self, holy materiality, and sacred space. The Sound of Medieval Song is a study of how sacred and secular music was actually sung during the Middle Ages. This book provides a clear and concise introduction, designedboth for those to whom the subject is new and those who require a reference work for advanced studies. Found inside – Page iiThis book examines the broad varieties of religious belief, religious practices, and the influence of religion within medieval society. Found insideThe two key concepts used in this book are “hybridization” and “Renaissance”. A landmark publication of essays resulting from the Treasures from Heaven conference at the British Museum, exploring the relationship between sacred matter and precious materials in the Middle Ages. Found insideEthics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Draws on the latest scholarly research and archaeological finds to examine the editorial decisions that shaped the Bible and the controversies that often surround them Found insideThe Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. Based on the award-winning five-volume work by Richard Taruskin, The Oxford History of Western Music, College Edition, presents the most up-to-date and comprehensive history of Western music available. Found inside – Page iIn Culture and Society in Medieval Galicia, twenty-three international authors examine art, religion, literature, and politics to chart Galicia’s changing place in Iberia, Europe, and the Mediterranean and Atlantic worlds from late ... Also included in the book are a glossary; a bibliography; a listing of additional poems in the various patterns (poems not included in the text but of great use to teachers); an essay on the line as the prosodic unit; and an index. Unlike the religiously-oriented pilgrims who visit Marian shrines such as Lourdes, the modern Road of St. James attracts an ecumenical mix of largely wel. Argues for a new context for the origins and development of crusading, as an imitation of Christ. Found inside – Page iiThe reader who has seen that article already knows how keenly felt are my gracias. Fernando Aguilar Escrich, Norberto Almandoz, H.K. Andrews, Higinio Angles, Jesus Bal y Gay, Robert D. Barton, Gilbert Chase, R. Thurston Dart, Exmos. Sres. . . . Written with exquisite elegance and gentle passion, The China Bride is a stirring tale of everlasting love and the power of forgiveness, by a master storyteller. From the Hardcover edition. Found insideLeo Treitler's 17th classic essays trace the creation and spread of song (cantus), sacred and secular, through oral tradition and writing, in the European Middle Ages. Over 100 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. In a collection of twentyfive original essays, the author of The Following Story chronicles his travels throughout Spain over the course of three decades, discussing his trip through La Mancha, the magnificent Prado Museum, a visit to the ... "The Pilgrim's Guide to Santiago de Compostela" presents the first complete English translation of the 12th-century guidebook that traces the pilgrimage route from southern France to Santiago de Compostela in northwestern Spain. Historical survey of music in medieval Europe, from the end of Antiquity to the beginning of the fifteenth century. This book, written by an internationally renowned specialist in Basque, provides a comprehensive survey of all that is known about the prehistory of the language, including pronunciation, the grammar and the vocabulary. Presented here are the prehistory, history, geography, economy, and much more information about the Basques, an indigenous people who primarily inhabit an area traditionally known as the Basque Country, a region that is located in north ... Found insideWhere did the system of musical notation come from? How do composers construct symphonies? The Classical Music Book answers these questions and more by exploring the history of classical music in clear and easy-to-follow sections. Found inside – Page 193Codex Calixtinus, Archivo de la Catedral de Santiago de Compostela, Ed. Kaydeda, Madrid 1993, ed. facsimile. Il Codice Callistino. At the time of publication, this book was the first to address the problem of how to perform medieval and Renaissance music. It is intended for both the amateur performing musician and the serious student. Pilgrimages, especially those to Santiago de Compostela, formed and essential part of late-medieval devotional life, but were criticized by people like Erasmus who in this book is considered from the late-medieval point of view. Diana Webb's engaging book offers the reader a fresh introduction to the history of European Christian pilgrimage in the twelve hundred years between the conversion of Emperor Constantine and the beginnings of the Protestant Reformation. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making. This book will rock medieval musicology to its foundations, and permit the erection of a much firmer, more interesting, and more realistic structure to take the place of the old. "—Richard Taruskin, author of Oxford History of Western ... 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